備注：已完結(jié)
類型：劇情片
主演：迭戈·佩雷蒂 何塞·科羅納多 塞西莉亞·蘇亞雷斯 喬治娜·阿莫羅斯 E
導(dǎo)演：大衛(wèi)·馬爾克斯
語言：西班牙語
年代：未知
簡介：Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist.
備注：已完結(jié)
類型：恐怖片
主演：英格麗德·埃文斯 Connor Powles Andrew Rolfe
導(dǎo)演：Andrea M. Catinella
語言：英語
年代：未知
簡介：When the Herring family wake up in a basement after a car accident, the only thing scarier than not knowing how they got there, is realising that they're not alone.
備注：已完結(jié)
類型：劇情片
主演：法布萊斯·魯奇尼 西瑟·巴比特·科努德森 Eva Lallier 科琳
導(dǎo)演：克里斯汀·文森特
語言：法語
年代：未知
簡介：其貌不揚的中年男人米切爾（法布萊斯·魯奇尼 Fabrice Luchini 飾），他的職業(yè)是巡回法院的庭長。在業(yè)內(nèi)，米切爾有著“兩位數(shù)庭長”的昵稱，因為凡是他經(jīng)手的案件，被告人被判刑的年份均超過兩位數(shù)?！ ∵@一次，米切爾要面對一樁非常棘手的案件，案件中的死者，是一名年僅7個月大的嬰兒。在審理案件的同時，米切爾還要應(yīng)付自己頑固的感冒。陪審席上坐著形形色色的陪審員們，其中，一個熟悉的面孔吸引了米切爾的注意，她就是蒂特（西瑟·巴比特·科努德森 Sidse Babett Knudsen 飾），蒂特是一名醫(yī)生，曾經(jīng)照顧過生病主演的米切爾。蒂特的存在讓米切爾開始格外認真的審視起這樁撲朔迷離，似乎另有隱情的案件。
備注：已完結(jié)
類型：劇情片
主演：薩姆·德·格拉斯 Francelia Billington 埃里克·馮
導(dǎo)演：埃里克·馮·施特羅海姆
語言：英語
年代：未知
簡介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
